DAN ELDON
In 2000, I completed
a book about Dan Eldon, a photojournalist who was killed
while on assignment in Somalia in 1993, Dan
Eldon: The Art of Life. Dan was a huge personality.
People I interviewed—people who hadn’t seen
him in at least seven years, or sometimes much longer,
repeatedly said, “I think about him every day,”
or “My life changed because of him.”
Though his legacy is complex,
Dan is most remembered for his journals, collage-style
volumes that he began early in high school. As I familiarized
myself with his life, I saw that the 17 fraying volumes
are incredibly subjective. They shined the high beams
on Dan’s disappointments and shortcomings, while
giving short shrift to happier moments. Break-ups with
girlfriends consumed pages, as did his adolescent pondering
over good and evil. But other important factors in his
development could only be identified by reading between
the lines—if at all.
When it came to piecing
together the skeleton and muscle of such a complex, albeit
short life (he was in more than 40 countries in 22 years),
Dan proved to be a most unreliable narrator. And yet I
returned to the journals again and again. They held the
breath, the spirit.
I’ve never given much
thought to life after death, but looking through Dan’s
journals made me tingle with wonder. His presence crackles
in their pages. Through them, it seemed that I spent a
year with a living person and made a new friend. He still
sits on my shoulder and informs my actions, editorializing
on how I lead my life with his typical humor.